“David Gallo elegantly conjures this tough corner of the universe, with a floor of black brick, a scrim on which bold, painterly strokes pick out the shapes of cranes and the hulls of ships, and a small circular platform center stage, behind which are a few rows of raised steps to suggest an amphitheatre. Within this spare but suggestive space, Michael Mayer skillfully creates the hubbub of community…” –John Lahr The NewYorker

“David Gallo’s dockyard setting seems to embrace the whole action into the theater itself.”  -Clive Barnes NY Post