“You feel as if any conversation, no matter how confidential, has got to include the scarred streetscape that pushes intrusively against the glass with tall-tale vividness in David Gallo’s wonderful set. The breath of the city fills the room whenever the office’s rotary pay phone rings, which it foes with jangling frequency, and whenever a driver comes back from a job.”   -The New York Times

 “David Gallo’s fine stage set plunges you into a twilight world of American taxi-driving: the office seems to be sited under a motorway. The view from this musty wasteland, where you can almost smell the scent of decay, is of boarded-up shops and industrial chimneys.” – London Evening Standard

 “David Gallo's stunning set is a notable asset for Wilson's naturalistic rhythms, presenting not only the inside of the dispatching station but also the street outside with three actual automobiles parked at the sidewalk. A lot of expense and effort is evident, and while jaw-dropping, Gallo's work enhances the play.”  -Curtain Up