“David Gallo’s set is minimal: the hotel desk, a large clock,
a couple of ugly lobby-type chairs and an expanse of once fairly handsome marble floor. Backing everything is a dark cyclorama that suggests both the city outside and the expressionistic stage designs of Robert Edmond Jones,
who worked on many of the original O’Neill productions.” 
-The New York Times

“David Gallo transforms the stage into a minimalist representation of the deserted lobby of a fifth-rate hotel on a summer night in 1928.” –ShowMag.com